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Gallery of Non-alley Alley Events

reviews & commentary

Garrett Lynch from Net Art Review - excerpt: "the taking of mundane urban space and allowing virtual place to dictate the events that will occur there transforms and shapes the space to both mythicize and distribute it as a place that has inescapable 'real' location yet virtual significance."

correspondance

From: Kanarinka [ ] Sent: Friday, January 02, 2004 6:41 PM To: 'Christina Ray' Subject: obstruction instruction- public alley 818 Hi Christina - Hope you had a happy holidays! Just wanted to drop you a line to let you know that I enacted one of your instruction pieces the other day (12/26) in public alley 818 -- check it out and let me know what you think: http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery My sister, rodin, actually helped me with it and we had a grand time staging a shoe crossing event as the reason for obstructing the 11-foot entrance to the alley for 11 minutes. The funny thing was that nobody really asked us what we were doing. Cars would arrive to try to turn into the alley, but upon seeing the caution tape they would just continue along (without questioning why we were there or what we were doing). We had such a great time that we decided to commemorate it with a special plaque made of reflective letters and duct tape -- http://www.ikatun.com/k/publicalley818/gallery/obstruct/image0051.jpg Hope all is well with you -- best wishes & happy new year! kanarinka From: Kanarinka [ ] Sent: Wednesday, December 31, 2003 4:21 PM To: 'guillermo takano valdivia' Subject: RE: hablas español!!! Hola Guillermo, que interesante! No quiero que pienses que conozco Lima muy bien - pasé solamente dos días allí viajando hasta Cuzco. Lo que me impressionó mucho fue las precauciones y seguridades en las vecindades más ricas -- paseamos un poco allá porque hay un amigo de mi familia que nos invitó a almorzar y ví paredes muy grandes, alambre de púas (barbed wire se dice así?), y todas maneras de protegerse contra no sé quien. Fue muy interesante. No me ubico con los nombres de las avenidas -- hay un mapa en el internet que me puedas mostrar? Me interesa lo que dices sobre "la indiferencia" -- a mí me interesa mucho los espacios que la gente trata así - espacios olvidados, sin función social o económico, sin valor aestetico. Para mí es muy interesante que estos espacios existen pero no los notamos. mientras tanto, hay espacios "priviligidos" que notamos, damos nuestra tiempo y atención. Por ejemplo, en mi proyecto ¨public alley 818¨ - http://www.ikatun.com/k/publicalley818/ - este callejón es directamente detrás de mi apartamento. El frente de los edificos la gente se cuida muchissimo - hay jardines pequeñitos, flores, decoraciones estacionales, etc. Pero nadie se cuida el callejón, nadie lo decora, nadie pase allí para divitirse o relajarse. Porque la gente no lo vee, es casi como no existe...es como el callejón está invisible. Pero! But! Si la gente lo ignora, hay muchas cosas que puede pasar. Si es invisible, no tenemos que jugar con las reglas que applican en otros lugares. Hay más potencial para creer dramas, narrativos pequenitos, casi invisibles ellos mismos pero que se escapen hacía la atención de la gente, que sutilmente atraen atención del frente (visible) hasta el atrás (invisible) pero solamente un poco y durante unos momentos cortos. El proyecto en el callejón es un poco una investigación de este fenomeno de invisible-visible-escapes (leaks between the visible and invisible) -- que es el más pequeño proyecto o intervención que puedo hacer para que alguien (cualquiera) se nota una diferencia. Todavía no sé si estoy interesada en cambiar atitudes hacía el callejón. Hace un mes más o menos que lo estoy haciendo, así que vamos a ver como cambia. También el proyecto es una investigación en espacios virtuales-fisicales (and the leaks between, around and outside of them) porque solicito de la gente sobre el internet instrucciones para los proyectos que hago -- Los instrucciones están aquí -- http://www.ikatun.com/k/publicalley818/submitted.php?content=submitted y los proyectos hechos est'an aquí -- http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery. Así que el callejón se hace un espacio de collaboración entre yo, otras personas por todo el mundo, y el callejón sí-mismo. De una manera, el callejón que yo creo es más visible a personas en california, belgium o peru que a quienes lo inhabiten. De todas maneras, ahora este email es muy largo. me gustaria mucho continuar la conversación sobre como podríamos hacer una connexion entre los espacios. yo voy pensando en esta cuestión -- quizás me podrías describir la forma de los proyectos que ustedes van a hacer en el espacio. ¿Cual es la duración del proyecto? Te mando también unas fotos del más recien proyecto que hicé en el callejón - un evento de duración 11 minutos en que 15 pares de zapatos crucieron la entrada del callejón. Fue basada en la instrucción por Christina Ray de Nueva York: "obstruct one point of access to the alley for the number of minutes equal to the width [in feet] of the alley". Voy a poner estas fotos en el sitio hoy o manana. Espero tu respuesta y siento los errores de español! kanarinka -----Original Message----- From: guillermo takano valdivia [mailto: ] Sent: Sunday, December 28, 2003 8:29 PM To: Subject: hablas español!!! Hola! Bueno, sí contamos con autorización de la Biblioteca Nacional para hacer este proyecto. De hecho el proyecto tiene como uno de sus objetivos primarios refrescar la conciencia crítica de los individuos hacia su ciudad. El laboratorio no trata de ser una práctica de invasión squat. Nuestros fines primarios no tratan de ser políticos o menos aún panfletarios de "guerrilla". Nuestra invasión tiene por objetivo una inmersión con fines netamente metodológicos de relaciones humanas y trabajo colectivo. Es una propuesta de determinación temporal de un espacio suspendido, indeterminado, que fue diseñado para un uso que al parecer no va a ser concretado en muchos años. Me parece muy interesante que conozcas lima, y de una forma ya conoces más o menos de lo que estoy hablando. La indiferencia ante estos lugares es impresionante, a pesar de que muchos peruanos tienen esa filosofía del "invasor" y el "autoconstructor" (selfconstructor). No sé si te ubiques, el edificio queda en el cruce de las avenidas Javier Prado y Aviación, te mando unas fotos del espacio y de nosotros. Me gustaría que me hables más de tu proyecto, más o menos que es lo que tienen en mente y si es que podría haber alguna clase de conexión entre ambas realidades. Espero tu respuesta. Muchas gracias. Guillermo Takano. _________________________________________________________________ MSN Amor: busca tu ½ naranja http://latam.msn.com/amor/ From: Kanarinka [ ] Sent: Monday, December 15, 2003 10:51 AM To: ' ' Subject: RE: public alley 818 Hi Cindy -- Thanks! The alley is close to where I live -- it's actually my backyard -- the door to my studio opens up onto the alley and it's where my car is parked. I've always wanted to do work back there because it was so overlooked in contrast to the carefully manicured brownstone fronts of the block (with little gardens, bushes, potted plants, holiday decorations, etc.) I find it interesting that there is one side of the building that people are concerned with decorating and one side that is not even considered (almost like it is invisible!). Do you have any pictures of spare room? I'd love to see them. I am really interested in the "everyday" (actually writing a research paper right now on this topic in relation to Ono and some others). I think this stems from an intuition that, right outside our back door (or in our spare room) exists this marvelous potentiality for unexpected futures. Best wishes, kanarinka -----Original Message----- From: [mailto: ] Sent: Tuesday, December 09, 2003 10:14 AM To: Subject: Re: public alley 818 Hi Kanarinka, I'm so happy that you did the yarn piece in the snow! I love your project & the documentation is beautiful. I will plan to contribute more. I am a big fan of Ono & instruction works in general. Is the alley close to where you live? I recently started an installation space in my house called "spare room." I like when art can grow in familar and intimate spaces. I will pass your call for instructions onto some other folks. Cindy > Hi Cindy -- > > I just wanted to say thanks for contributing to public alley 818 -- On > Saturday, I enacted one of the instruction pieces that you submitted > (yarn piece) in the middle of a Boston snowstorm and captured a video > of the unravelling yarn: > > http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery > > i had a splendid time unrolling the orange yarn in the midst of 12+ > inches of snow. I went from my backdoor to the main entrance of the > alley (probably about 300 feet). it looked beautiful so I let it stay > there for about an hour before rolling it up again. > > in any case, thanks again and please let me know if you have any > thoughts on the enactment, feel free to contribute more instruction > pieces to the gallery, and please tell anyone else you know who might > be interested in contributing to the project. > > thanks again, > kanarinka > > From: Kanarinka [ ] Sent: Monday, December 15, 2003 10:39 AM To: 'Sharon Matt Atkins' Subject: public alley 818 - thanks! Hi Sharon -- I just wanted to say thanks again for contributing to public alley 818 -- The other day I enacted the instruction piece that you submitted (pebble paths) with with some modifications due to inclement weather :) - check it out here and let me know what you think: http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery Unfortunately the piece got stopped in the middle because a property owner need to run his "snow-thrower" and was convinced that the thread would ruin it. I had an interesting conversation with him but ended up taking down the piece and winding the thread back along the spool. The snow pebbles, unfortunately, ended up squashed under the snow-thrower. Ah well -- I think I might actually do another version of this once the snow all melts. in any case, please let me know if you have any thoughts on the enactment, feel free to contribute more instruction pieces to the gallery, and please tell anyone else you know who might be interested in contributing to the project. thanks again & hope all is well with you! best, catherine From: Kanarinka [ ] Sent: Monday, December 15, 2003 10:32 AM To: ' ' Subject: thanks for submitting to public alley 818! Hi Remo -- I just wanted to say thanks for contributing to public alley 818 -- The other day I enacted the instruction piece that you submitted (Bagging it) with with some modifications - check it out here and let me know what you think: http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery I made up some *invisible* friends (because I don't have real ones - just kidding :) and we all did the bagging it piece and the photo shoot. I lined them up in the snow in the alley right next to the "human" path through the snow. I got some very interesting looks from people who walked by them contemplating these little humanoids. in any case, please let me know if you have any thoughts on the enactment, feel free to contribute more instruction pieces to the gallery, and please tell anyone else you know who might be interested in contributing to the project. thanks again & hope all is well with you these days! Any new projects? kanarinka - catie From: Annie Abrahams [ ] Sent: Tuesday, December 09, 2003 8:25 AM To: Kanarinka Subject: Re: thanks for your contribution to public alley 818 At 01:14 06/12/2003 -0500, you wrote: >Hi anniea -- > >I just wanted to say thanks for contributing to public alley 818 -- >Today I enacted one of the instruction pieces that you submitted (chalk >a hope line) with a friend of mine in one of the corridor entrances to >public alley 818 - check it out here and let me know what you think: > >http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery > >we had a splendid time doing this piece, though, as you will see, we >made some modifications for logistical reasons and we incorporated some >additional texts into the "i hope"s. also, we almost got kicked out of >public alley 818 because a property owner thought we might be >affiliated with a cult. (i need a good video camera to capture these >moments, because they are the high drama of the enactment!) we tried to >convince her that we were innocent and she left skeptical. > >in any case, please let me know if you have any thoughts on the >enactment, feel free to contribute more instruction pieces to the >gallery, and please tell anyone else you know who might be interested >in contributing to the project. > >thanks again, >kanarinka hello kanarinka thanks it's great, as soon as I have time I wil make a link from my info page (it's allready in my signature ;) I just wondered if all the 'I hope' came from the books, or if you introduced also some personal 'I hopes' I like your instruction pieces and your enactments, it's great. bye annie abrahams news, information, articles, cv, etc. http://www.bram.org/info Instruction piece : 'chalk a hopeline', enacted by kanarinka 05-12-2003 http://www.ikatun.com/k/publicalley818/instruction.php?content=gallery&id=4 From: - G a r r e t t - [ ] Sent: Tuesday, December 09, 2003 6:02 PM To: Kanarinka Subject: Re: thanks! >Hi Garrett -- > >thanks so much for submitting an instruction piece to public alley 818 >and for the write-up on net art review -- I really liked how you talked >about the piece in relationship to space - that's one of the things that >I'm trying to articulate myself right now (trying to write an artist >statement, but it's sort of like pulling teeth :). > >In any case - I've excerpted you here: >http://www.ikatun.com/k/publicalley818/nonalleyevents.php?content=nonall >ey#reviews > >Hopefully that's ok - please let me know if it's not. > >best wishes, >kanarinka no problem, when you get an artists statement together if you want email it to me and i'll post it as a follow up to the review, lots of success with the work! a+ gar -- +-----------------------------------------------------------+ http://www.asquare.org/ http://www.bannerart.org/ http://www.zendco.com/ +-----------------------------------------------------------+ From: Sent: Tuesday, December 09, 2003 10:14 AM To: Subject: Re: public alley 818 Hi Kanarinka, I'm so happy that you did the yarn piece in the snow! I love your project & the documentation is beautiful. I will plan to contribute more. I am a big fan of Ono & instruction works in general. Is the alley close to where you live? I recently started an installation space in my house called "spare room." I like when art can grow in familar and intimate spaces. I will pass your call for instructions onto some other folks. Cindy > Hi Cindy -- > > I just wanted to say thanks for contributing to public alley 818 -- On > Saturday, I enacted one of the instruction pieces that you submitted > (yarn piece) in the middle of a Boston snowstorm and captured a video of > the unravelling yarn: > > http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery > > i had a splendid time unrolling the orange yarn in the midst of 12+ > inches of snow. I went from my backdoor to the main entrance of the > alley (probably about 300 feet). it looked beautiful so I let it stay > there for about an hour before rolling it up again. > > in any case, thanks again and please let me know if you have any > thoughts on the enactment, feel free to contribute more instruction > pieces to the gallery, and please tell anyone else you know who might be > interested in contributing to the project. > > thanks again, > kanarinka > > From: Annie Abrahams [ ] Sent: Tuesday, December 09, 2003 8:25 AM To: Kanarinka Subject: Re: thanks for your contribution to public alley 818 At 01:14 06/12/2003 -0500, you wrote: >Hi anniea -- > >I just wanted to say thanks for contributing to public alley 818 -- >Today I enacted one of the instruction pieces that you submitted (chalk >a hope line) with a friend of mine in one of the corridor entrances to >public alley 818 - check it out here and let me know what you think: > >http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery > >we had a splendid time doing this piece, though, as you will see, we >made some modifications for logistical reasons and we incorporated some >additional texts into the "i hope"s. also, we almost got kicked out of >public alley 818 because a property owner thought we might be affiliated >with a cult. (i need a good video camera to capture these moments, >because they are the high drama of the enactment!) we tried to convince >her that we were innocent and she left skeptical. > >in any case, please let me know if you have any thoughts on the >enactment, feel free to contribute more instruction pieces to the >gallery, and please tell anyone else you know who might be interested in >contributing to the project. > >thanks again, >kanarinka hello kanarinka thanks it's great, as soon as I have time I wil make a link from my info page (it's allready in my signature ;) I just wondered if all the 'I hope' came from the books, or if you introduced also some personal 'I hopes' I like your instruction pieces and your enactments, it's great. bye annie abrahams news, information, articles, cv, etc. http://www.bram.org/info Instruction piece : 'chalk a hopeline', enacted by kanarinka 05-12-2003 http://www.ikatun.com/k/publicalley818/instruction.php?content=gallery&id=4 From: Kanarinka [] Sent: Monday, December 08, 2003 9:47 PM To: '' Subject: thanks! Hi Garrett -- thanks so much for submitting an instruction piece to public alley 818 and for the write-up on net art review -- I really liked how you talked about the piece in relationship to space - that's one of the things that I'm trying to articulate myself right now (trying to write an artist statement, but it's sort of like pulling teeth :). In any case - I've excerpted you here: http://www.ikatun.com/k/publicalley818/nonalleyevents.php?content=nonalley#reviews Hopefully that's ok - please let me know if it's not. best wishes, kanarinka From: Kanarinka [ ] Sent: Monday, December 08, 2003 9:23 PM To: ' ' Subject: public alley 818 Hi Cindy -- I just wanted to say thanks for contributing to public alley 818 -- On Saturday, I enacted one of the instruction pieces that you submitted (yarn piece) in the middle of a Boston snowstorm and captured a video of the unravelling yarn: http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery i had a splendid time unrolling the orange yarn in the midst of 12+ inches of snow. I went from my backdoor to the main entrance of the alley (probably about 300 feet). it looked beautiful so I let it stay there for about an hour before rolling it up again. in any case, thanks again and please let me know if you have any thoughts on the enactment, feel free to contribute more instruction pieces to the gallery, and please tell anyone else you know who might be interested in contributing to the project. thanks again, kanarinka From: Kanarinka [ ] Sent: Monday, December 08, 2003 8:36 PM To: 'Jonathan Bachrach' Subject: FW: invitation from ATBoston to collision Follow Up Flag: Follow up Flag Status: Flagged oh by the way! just found out that the next meeting of ATBoston is this thursday at 7PM at George Fifield's house in Jamaica Plain -- here's the address and such: 9 Myrtle Street Jamaica Plain, MA 02130 hope to see you there - best, kanarinka -----Original Message----- From: Kanarinka [mailto: ] Sent: Monday, December 08, 2003 8:11 PM To: 'Jonathan Bachrach' Subject: invitation from ATBoston to collision hi jack -- how goes it?? It seems that collision has been in full swing - i haven't been able to attend any of the events because i'm getting my ass royally kicked by the fiercesome trio of grad school, work, and iKatun. i'm just trying to make it to Christmas without renegging on any deadlines, but it's going to be rough... in any case, i'm actually writing because i am charged with officially extending an invitation to the collision collective to join the ATBoston consortium -- iKatun is a founding member of a newly formed consortium of non-profit art/technology groups in new england (other members include the Boston Cyberarts Festival, the Art Interactive, turbulence.org, and Mobius). We are called ATBoston (Art, Technology, Boston) and we just submit a grant for our first project which is going to be a new media calendar and place to publish art/technology events in the region. So far, the group is pretty loose and informal - we meet about once a month for around an hour and a half, touch base on events and catch up on goals. We only started meeting this past Spring so we still have to work out a lot of what ATBoston is going to be about. We'd really like to have the collision collective join in this process with us. Also, from iKatun's standpoint, I think it would be great to have more practicing artists and technologists as part of this group. Check out our site (well, webpage right now): http://www.atboston.net/ and our mission statement: Art Technology Boston is a consortium of small nonprofit new media organizations whose purpose is to create an interdisciplinary network in real and virtual space; trade and share resources; provide collaborative support; and establish a regional identity to increase visibility and strengthen outreach and advocacy efforts. and let me know what you and collision think! Also - let me know if you have any questions. I hope to see you at the next meeting (uh, I'm not sure when that is but let me check on that and get back to you). Let's get together for a drink sometime too -- best, kanarinka ps: also, if you have a chance check out my latest project - a series of performances based on instructions people send me online: http://www.ikatun.com/k/publicalley818 -- submit a piece if you feel inspired! -----Original Message----- From: Jonathan Bachrach [mailto: ] Sent: Wednesday, December 03, 2003 3:48 PM To: Subject: berwick artist in residence program thought people might be interested in this (thanks to steve hollinger). we could also think about doing this as a group effort... jack > Open call to artists- AIR residency program > > Dear Berwick supporters, > > As 2003 draws to a close, the Berwick is getting ready > for next year's Artist in Research residency season. > We're currently accepting applications from > individuals or groups of artists who need time, space, community and > critical feedback to research and develop their innovative art > projects. Past Berwick research has been conducted in the fields of > interactive sound sculpture, robotics, experimental > music composition, collaboratively-designed > architecture, pirate radio, and site-specific > installation. > Please pass the attached application on to anyone who > you think might be a good fit for the AIR Program. > Deadline for entries is February 2, 2004. Please see > the application for further details, or visit our > website at http://www.berwickinstitute.org. > > Thanks! > > The Berwick Research Institute From: Kanarinka [ ] Sent: Monday, December 08, 2003 8:17 PM To: 'George Fifield' Cc: 'Turbulence'; 'Pirun'; 'Jennifer Hall'; 'Mary Ann Kearns'; 'Teresa Marrin Nakra'; 'Jed Speare'; 'Michael Hall'; 'Robyn Whittington'; 'Walter Wright'; 'Larry Johnson'; 'Blyth Hazen'; 'Helen Thorington'; 'Mary Fuller' Subject: RE: atboston Follow Up Flag: Follow up Flag Status: Flagged Hi All, I've sent Jonathon the invitation for collision to join - I'll forward along his response when I receive it. By the way, I realized that I don't know when/where the next meeting is - could someone let me know so that I could send that along to Jonathon as well? Thanks -- the calender looks awesome, too - nice work Mike!! Best wishes, catie PS: if you get a chance, please submit an instruction piece to my latest physical/virtual project "public alley 818, Boston, MA, USA" -- http://www.ikatun.com/k/publicalley818 -- thanks!! -----Original Message----- From: George Fifield [mailto: ] Sent: Friday, December 05, 2003 1:48 PM To: Kanarinka Cc: 'Turbulence'; 'Pirun'; 'Jennifer Hall'; 'Mary Ann Kearns'; 'Teresa Marrin Nakra'; 'Jed Speare'; 'Michael Hall'; 'Robyn Whittington'; 'Walter Wright'; 'Larry Johnson'; 'Blyth Hazen'; 'Helen Thorington'; 'Mary Fuller' Subject: RE: atboston Catie I think that would be perfect. I'll let Brian know that the invite is happening and coming through Jonathon. George At 1:48 PM -0500 12/5/03, Kanarinka wrote: >Hi All - > >I think the Collisions group would be an excellent addition to atboston >- they have a lot of stuff going on and have been really active in the >past few months. I'm friends with Jonathan Bachrach, the host of the >Collisions Collective meetings. Would you like me to extend an >invitation to him on behalf of atboston? > >best, >catie > >-----Original Message----- >From: Turbulence [mailto: ] >Sent: Friday, December 05, 2003 1:35 PM >To: George Fifield >Cc: Kanarinka; Pirun; Jennifer Hall; Mary Ann Kearns; Teresa Marrin >Nakra; Jed Speare; Michael Hall; Robyn Whittington; Walter Wright; >Larry Johnson; Blyth Hazen; Helen Thorington; Mary Fuller >Subject: Re: atboston > > >Fine with us. > >Jo > >George Fifield wrote: > >> I handed Sam Miller, NEFA director, the proposal on Monday morning >> at a Ceative Economy Council meeting after I gave a talk to all >> explaining about the progress made on art and technology projects >> after last Spring's CEC convocation and the described the need for >> seed funding. >> >> I would like to propose we invite someone from the Collisions >> collective at MIT to our next meeting. I've been speaking to Brian >> Knep and he has told me that Collisions is considering getting a >> permanent space and expanding their programming. Perhaps by their >> joining ATBoston we can help them. >> >> George >> >> At 10:56 AM -0500 11/25/03, Turbulence wrote: >> >>> Hi All, >>> >>> Here's the the final version of the NEFA proposal. >>> >>> Also, I requested a list of media contacts last week and only one >>> atboston member responded (not just to Turbulence but to everybody). >>> I know that several of you have lists as you offered to trade/share >>> them when we were compiling the atboston list of member resources. >>> Please share them with the group. >>> >>> Thanks. >>> >>> Jo >>> >>> >>> Attachment converted: Space:nefa 3.doc (WDBN/MSWD) (000EF94E) >> >> >> -- ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ George Fifield | 617 524-2109 |9 Myrtle Street Director | fax 617 524-9968 | Jamaica Plain Boston Cyberarts| | MA 02130 USA http://www.bostoncyberarts.org ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ From: Kanarinka [ ] Sent: Monday, December 08, 2003 8:11 PM To: 'Jonathan Bachrach' Subject: invitation from ATBoston to collision Follow Up Flag: Follow up Flag Status: Flagged hi jack -- how goes it?? It seems that collision has been in full swing - i haven't been able to attend any of the events because i'm getting my ass royally kicked by the fiercesome trio of grad school, work, and iKatun. i'm just trying to make it to Christmas without renegging on any deadlines, but it's going to be rough... in any case, i'm actually writing because i am charged with officially extending an invitation to the collision collective to join the ATBoston consortium -- iKatun is a founding member of a newly formed consortium of non-profit art/technology groups in new england (other members include the Boston Cyberarts Festival, the Art Interactive, turbulence.org, and Mobius). We are called ATBoston (Art, Technology, Boston) and we just submit a grant for our first project which is going to be a new media calendar and place to publish art/technology events in the region. So far, the group is pretty loose and informal - we meet about once a month for around an hour and a half, touch base on events and catch up on goals. We only started meeting this past Spring so we still have to work out a lot of what ATBoston is going to be about. We'd really like to have the collision collective join in this process with us. Also, from iKatun's standpoint, I think it would be great to have more practicing artists and technologists as part of this group. Check out our site (well, webpage right now): http://www.atboston.net/ and our mission statement: Art Technology Boston is a consortium of small nonprofit new media organizations whose purpose is to create an interdisciplinary network in real and virtual space; trade and share resources; provide collaborative support; and establish a regional identity to increase visibility and strengthen outreach and advocacy efforts. and let me know what you and collision think! Also - let me know if you have any questions. I hope to see you at the next meeting (uh, I'm not sure when that is but let me check on that and get back to you). Let's get together for a drink sometime too -- best, kanarinka ps: also, if you have a chance check out my latest project - a series of performances based on instructions people send me online: http://www.ikatun.com/k/publicalley818 -- submit a piece if you feel inspired! -----Original Message----- From: Jonathan Bachrach [mailto: ] Sent: Wednesday, December 03, 2003 3:48 PM To: Subject: berwick artist in residence program thought people might be interested in this (thanks to steve hollinger). we could also think about doing this as a group effort... jack > Open call to artists- AIR residency program > > Dear Berwick supporters, > > As 2003 draws to a close, the Berwick is getting ready > for next year's Artist in Research residency season. > We're currently accepting applications from > individuals or groups of artists who need time, space, community and > critical feedback to research and develop their innovative art > projects. Past Berwick research has been conducted in the fields of > interactive sound sculpture, robotics, experimental > music composition, collaboratively-designed > architecture, pirate radio, and site-specific > installation. > Please pass the attached application on to anyone who > you think might be a good fit for the AIR Program. > Deadline for entries is February 2, 2004. Please see > the application for further details, or visit our > website at http://www.berwickinstitute.org. > > Thanks! > > The Berwick Research Institute From: Mail Delivery Subsystem [MAILER- ] Sent: Monday, December 08, 2003 1:39 AM To: Subject: Returned mail: Cannot send message within 5 days The original message was received at Wed, 3 Dec 2003 00:21:05 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- < >... Deferred: Connection refused by artpostonline.com. Message could not be delivered for 5 days Message will be deleted from queue From: Mail Delivery Subsystem [MAILER- ] Sent: Monday, December 08, 2003 1:39 AM To: Subject: Returned mail: Cannot send message within 5 days The original message was received at Wed, 3 Dec 2003 00:19:23 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- 451 < >... veraqua.com: Name server timeout 451 < >... veraqua.com: Name server timeout Message could not be delivered for 5 days Message will be deleted from queue From: Walter Cianciusi [ ] Sent: Sunday, December 07, 2003 8:42 AM To: Kanarinka Subject: Re: thanks for your contribution to public alley 818 Thank you very much! I'm very happy that you enacted my piece: it's a real good interpretation: I love it! Walter Cianciusi From: matthew fuller [ ] Sent: Saturday, December 06, 2003 3:01 PM To: Hey, Just a quick note to say that I had a good look at the instructions site today. Very nice work. I hope it goes well. Best, Matthew MessageFrom: Kanarinka [ ] Sent: Saturday, December 06, 2003 4:43 PM To: 'Delfin' Subject: RE: the alley Hola Mauricio - Gracias para su instrucción en el sitio! You can definitely interview me about the alley - please send along your questions and I will answer them as soon as possible. Quiere que contesta en español? Estudié un año en Argentina y, bueno, hace tiempo que hablo muy bien, pero puedo intentar si quiere. Best wishes from Boston, kanarinka -----Original Message----- From: Delfin [mailto: ] Sent: Saturday, December 06, 2003 3:33 PM To: Subject: the alley I would love to interview you about the piece for a Peruvian magazine. Can it be done? _____________________________ Mauricio Delfin Gerente de Producción Realidad Visual www.realidadvisual.org From: Kanarinka [ ] Sent: Saturday, December 06, 2003 2:01 AM To: Pirun ( ) Subject: check it out http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery From: SMOLINSKI, Joseph (Akus Gallery) [ ] Sent: Friday, December 05, 2003 1:00 PM To: Subject: hello Hello P & K, I really enjoy the public alley project! More entries will be coming soon. Have either of you been in touch with Susan about the de-installation? I have to travel to NY that weekend, so I won't be around. If by chance you can make it on Friday we should grab dinner or a drink. Finally, I've been looking into purchasing a domain name and web space. Do you have any suggestions as to where to begin? There are a ton of web hosting services out there, which one do you use? Thanks for the info and take care, Joseph From: Scott [ ] Sent: Friday, December 05, 2003 12:13 PM To: Subject: National Fun at Work Day Jan 31st RE: Call to Artists and other Regular People Instruction? I try. In the mean time, can one prepare for the upcoming holiday without being mean? http://www.freerangegraphics.com/html/whatsnew/whoop.html ~s National Fun at Work Day When: Jan 31st Where: At a computer near you What: A few suggestions on how to liven things up around the office... Go into MS Word or similar program on co-worker's computer, and add an entry to the AutoCorrect feature. This is a very simple prank guaranteed to send the novice user into a frenzy. Configure the AutoCorrect option to replace the word "the" with the phrase "you suck!". Panic will ensue. Another gem is to use clear tape to lock the rolling ball in place on the underside of the mouse. The victim will most likely check the connections in the back, reinstall drivers, reboot, etc., before they realize what has happened. Warning: watch out for flying mice. Prank for the little more tech savvy: do a "Print Screen" of the user's desktop, paste the image from the clipboard to a photo program, and save the image as a bitmap. Then, set the 'snapshot' of their desktop as the actual desktop wallpaper. (You'll have to hide the Windows status bar, and move all their desktop icons into a folder, which you can hide conspicuously in the corner or something.) The user will see their desktop as always, but everything on it will appear to be frozen when they try to click on it...sending them into a rebooting fit. Or, if you're looking to get your hands dirty with a little physical labor, pop out the 'm' and 'n' keys on someone's keyboard and reverse the two. Any flat tool will work. Just pry it with little pressure and they will easily come right off. Then just sit back and watch the confusion. What a neam trick! Disclaimer: this will not make you the darling of the tech guy in your office. Be careful of deserved retributions. -----Original Message----- From: iKatun [mailto: ] Sent: Wednesday, December 03, 2003 1:29 AM To: Subject: Call to Artists and other Regular People hello folks, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! From: Kanarinka [ ] Sent: Saturday, December 06, 2003 2:00 AM To: 'soft_skinned_space' Subject: RE: [-empyre-] what work are women doing now? Hi Judy and everyone, My name is kanarinka (catherine d'ignazio offline). I'm honored to have been invited to participate in the discussion about this book (It's en route to me right now, but i have not actually seen it yet). One of my most recent projects that you might be interested in is a fluxus/yoko ono-inspired piece called "public alley 818, Boston, MA, USA" in which people send me instruction pieces online and I enact them in the alley behind my house - http://www.ikatun.com/k/publicalley818. I'm also the co-founder of the iKatun (www.ikatun.com) collective of artists and technologists in Boston, MA. I am very interested in dialogue regarding women and technology. Being a professional programmer, I have tended to work mostly around male technologists. I'm particularly interested in how one might go about differentiating the work of men and women in technology without falling into easy gender-specific dichotomies (as in "men do xyz and women do zyx"). Some women you might be interested in checking out for the bibliography: Jess Loseby - http://www.rssgallery.com/ - Jess and iKatun collaborated on a project called the Digital Pocket Gallery (http://www.ikatun.com/digitalpocketgallery/). She is very interested in what she calls the "cyber-domestic aesthetic". I think that we found common ground in our interest in the everyday. lia - http://lia.sil.at/lia3/index.htm & www.re-move.org - Her work consists of intriguing, abstract interfaces with sound and motion. Best wishes to all, kanarinka -----Original Message----- From: empyre- [mailto:empyre- ] On Behalf Of Judy Malloy Sent: Friday, December 05, 2003 11:31 PM To: soft_skinned_space Subject: Re: [-empyre-] what work are women doing now? >http://www.uol.com.br/bienal/24bienal/nuh/enuhclark01.htm (some images >of Lygia Clark works) > >http://www.uol.com.br/bienal/24bienal/nuh/inuhclark02a.htm (a text by >Suely >Rolnik) Thank you! I've added this to the bibliography on the website at http://www.judymalloy.net/newmedia/ (click on bibliography) The bibliography is in progress and I am particularly looking to add entries - women artists in this field whose work is not as widely known as it should be. Does anyone on the list have suggestions? Best, Judy _______________________________________________ empyre forum http://www.subtle.net/empyre From: Kanarinka [ ] Sent: Saturday, December 06, 2003 1:03 AM To: ' ' Subject: thanks for your contribution to public alley 818 Hi Walter -- I just wanted to say thanks for contributing to public alley 818 -- Today I enacted one of the instruction pieces that you submitted (Sonata) by running up and down public alley 818 at different tempos - check it out here and let me know what you think: http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery I like the Sonata instruction piece a lot -- it can be taken in so many directions that I might do another enactment of it. In any case, drop me a line sometime and feel free to contribute more instruction pieces to the gallery. thanks again, kanarinka From: Kanarinka [ ] Sent: Saturday, December 06, 2003 1:35 AM To: 'iain_a_ ' Subject: RE: arrival? oh good, i guess the note fooled them (i kept imagining that it would be the one saving factor in the whole operation - "Sir, she states that they are 'photo cds'. I think we should check these", "That's right, Comrade Customs Official #4528, but look! it says they are for a Christmas slideshow", "Yes, sir, that pelican thing on the handwritten note is very eastern seaboardy. She could not be a criminal. Let's move on.") . phew, that was a close one. check it out - 6/14 projects (counting the website as a project), that means that i am 42.857142857142857142857142857143% done -- http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery i am really enjoying starting from the instructions from other people. it's entirely perfect as a way of filtering to the level of structure that i need in order to be able to begin. also i think that the internet is an interesting way to have an audience and not have an audience. i like being accountable to other people for things (otherwise i wind up open and in a vacuum because everything is so much and all so equal to everything else) - so, for example, it's perfect that you give me an assignment to do 14 projects in the alley. then other people give me assignments about that one. so I am thinking about series' of filters - how to set up systems that filter themselves down to a beginning. tomorrow a big storm will hit so i think i will go label things with snow, best, catherine PS: did the 10th work for you to meet? -----Original Message----- From: iain kerr [mailto:iain_a_ ] Sent: Friday, December 05, 2003 5:22 PM To: 'Kanarinka' Subject: RE: arrival? Yes -- much great thanks -- sorry not to respond -- i was/am in transit -- on Vancouver island I am just installing materials -- I liked the letter -- a great touch How is the lane? iain -----Original Message----- From: Kanarinka [mailto: ] Sent: Friday, December 05, 2003 10:16 AM To: 'Iain Kerr' Subject: arrival? hey iain - did the cds arrive yet?? From: Kanarinka [ ] Sent: Saturday, December 06, 2003 1:14 AM To: ' ' Subject: thanks for your contribution to public alley 818 Hi anniea -- I just wanted to say thanks for contributing to public alley 818 -- Today I enacted one of the instruction pieces that you submitted (chalk a hope line) with a friend of mine in one of the corridor entrances to public alley 818 - check it out here and let me know what you think: http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery we had a splendid time doing this piece, though, as you will see, we made some modifications for logistical reasons and we incorporated some additional texts into the "i hope"s. also, we almost got kicked out of public alley 818 because a property owner thought we might be affiliated with a cult. (i need a good video camera to capture these moments, because they are the high drama of the enactment!) we tried to convince her that we were innocent and she left skeptical. in any case, please let me know if you have any thoughts on the enactment, feel free to contribute more instruction pieces to the gallery, and please tell anyone else you know who might be interested in contributing to the project. thanks again, kanarinka From: Kanarinka [ ] Sent: Friday, December 05, 2003 8:53 PM To: 'info' Subject: RE: hello Hola! Me llamo catie o kanarinka - de donde son? Son amigos de Victor? Yo soy fundadera de un collectivo de artistas y technologos que se llama iKatun - www.ikatun.com. Hacemos proyectos en el internet y tambien en espacios fisicos. Tambien soy artista - en este momento estoy inspirada por fluxus, cage y ono y estoy interesada en ver como se puede utilizar sus ideas en el mundo virtual. Tengo un proyecto ahora que se llama "public alley 818" en que hago proyectos sobre el callejon de tras de mi apartamento en Boston -- las reglas son las siguientes: 1) Gente me manda obras de instruccion (este idea es de yoko ono -- obras de instruccion son proyectos poeticos que yo puedo realizar en la callejon) por el internet aqui: http://www.ikatun.com/k/publicalley818/submit.php?content=submit 2) Yo selecciono unas obras para hacer realizaciones. Cuando hago una, la pongo en la galeria aqui: http://www.ikatun.com/k/publicalley818/gallery.php?content=gallery Me gustaria muchissimo si ustedes crearian una obra de instruccion (o bueno - muchas obras - pueden crear tanto como quieran) para este proyecto. La pueden escribir en espanol -- de hecho, me gustaria mucho si habra espanol en la galeria de instrucciones. Que tipo de obras hacen ustedes?? Hasta pronto, catie-kanarinka -----Original Message----- From: info [mailto: ] Sent: Friday, December 05, 2003 10:27 AM To: Subject: hello Hello we are a couple of artist from Spain and we work human intallations and new technology and we want to more information about to participed whit you. Thank you, bye, bye From: Kanarinka [ ] Sent: Friday, December 05, 2003 8:04 PM To: 'Roland Smart' Subject: RE: Call to Artists and other Regular People Hey Roland! Want to get together on Monday? I'm swamped with work this weekend - grad school and iKatun are kicking my ass. Are you free Monday night? cheers, catie -----Original Message----- From: Roland Smart [mailto: ] Sent: Friday, December 05, 2003 9:30 AM To: Katie & Sasha Subject: Re: Call to Artists and other Regular People Katie, Roland here, nice to see you yesterday. What are you up to this weekend? This evening? Give me a ring and let's get together sometime. Cheers, Roland 617 899 6269 On 12/3/03 1:33 AM, "iKatun" < > wrote: > hello folks, > > Please contribute to my new project: "public alley 818, Boston, MA, > USA" - http://www.ikatun.com/k/publicalley818/ > > "public alley 818" is an urban intervention (It intervenes right into > an alley near my house). Recently I have begun exploring questions of > potentiality, play and public space through the creation of > Fluxus/Ono-like scores. In this project, I would like you to > contribute the instruction pieces and I will carry (some of) them out > in public alley 818 in Boston. > > I would like to invite you all to take a moment to dream up an > instruction piece for public alley 818 in Boston, MA, USA. > > Here's how it works: > > 1) You submit an instruction piece here: > http://www.ikatun.com/k/publicalley818/submit.php > > 2) All instruction pieces are published in the Gallery of Instructions > here: http://www.ikatun.com/k/publicalley818/submitted.php > > 3) Then I choose which pieces to enact (and how many different > versions to > enact) and those go in the Gallery of Enactments: > http://www.ikatun.com/k/publicalley818/gallery.php > > Thanks in advance for your participation/collaboration! > > best wishes, > kanarinka > > ps: please report any bugs to me! From: Kanarinka [ ] Sent: Friday, December 05, 2003 1:22 PM To: 'Pirun' Subject: RE: LEF Grant Question hey -- i'd love your help on this particular project that i want to do today involving lots of duct taping and obstructing the entrance to the alley. are you interested? the sun sets around 3:30 so we would have to do it before then (for documentation purposes) -- let me know by calling or something... gracias, hasta luego, k -----Original Message----- From: Pirun [mailto: ] Sent: Friday, December 05, 2003 12:31 PM To: 'Kanarinka' Subject: RE: LEF Grant Question sounds good. i will start. i need some time to awake and be without pain. once i have something i will call you and maybe stop by to play with you. s -----Original Message----- From: Kanarinka [mailto: ] Sent: Friday, December 05, 2003 11:35 AM To: 'Pirun' Subject: RE: LEF Grant Question cool - that sounds good. I'm going to try to do a bunch of artworks today too because the storm that is coming might prohibit me from doing my 14 projects if i can't work on saturday and sunday. do you want to start by making a template for the questions and beginning to answer them? I think we are really set -- we can talk about the success of our public events with , talk about our reimaginings project & how it's realted to this, etc etc... let me know if you want to come by and play in the alley with me :) k -----Original Message----- From: Pirun [mailto: ] Sent: Friday, December 05, 2003 11:17 AM To: 'Kanarinka' Subject: RE: LEF Grant Question lets respond to them today... i took a day off -----Original Message----- From: Kanarinka [mailto: ] Sent: Friday, December 05, 2003 10:45 AM To: Pirun Subject: FW: LEF Grant Question Hey -- here are the questions from LEF -- i will post them in PS...they don't look too bad... -----Original Message----- From: Kathryn Ostermier [mailto: -foundation.org] Sent: Friday, December 05, 2003 10:29 AM To: Cc: Subject: LEF Grant Question This got bounced back thanks to a typo - my apologies. ***** Hi Catherine, I'm hoping you'll be able to answer a few questions we had about your application: You mention educating the public - have you had previous experience with this, and if so, what form(s) did it take? Also, we were curious about the interdisciplinary exchange - what nature does that exchange take? And, we noticed you had a Turbulence commission ($4,000 from LEF). We were hoping for an update of that project, and were curious about how this project might build on work done as part of that commission. Thank you so much, Kathryn Kathryn Ostermier Program Assistant LEF New England Box 382066 Cambridge, MA 02238-2066 T 617.492.5333 F 617.868.5603 http://www.lef-foundation.org From: Kanarinka [ ] Sent: Friday, December 05, 2003 11:36 AM To: 'Alexandra Metral' Subject: thanks! Hey thanks! i love your contribution to my project!! I've actually been getting comments on that one from other people who liked it :) How are things going with your meca stuff and your teaching? Want to get together and catch up sometime before the winter intensive for lunch or coffee or something? cheers, catie From: Kanarinka [ ] Sent: Friday, December 05, 2003 10:17 AM To: ' ' Subject: RE: public alley 818, Boston, MA, USA Many thanks Eduardo!! best wishes, kanarinka -----Original Message----- From: [mailto: ] Sent: Thursday, December 04, 2003 7:05 AM To: Kanarinka Subject: Re: public alley 818, Boston, MA, USA You got it: http://www.netartreview.net Eduardo :) From: empyre- on behalf of empyre- Sent: Friday, December 05, 2003 8:53 AM To: Subject: confirm bc2621b4fae55cea896b7fda2afe1cb83edb5c9b Mailing list subscription confirmation notice for mailing list empyre We have received a request from 68.163.110.99 for subscription of your email address, " ", to the mailing list. To confirm that you want to be added to this mailing list, simply reply to this message, keeping the Subject: header intact. Or visit this web page: http://lists.cofa.unsw.edu.au/mailman/confirm/empyre/bc2621b4fae55cea896b7fda2afe1cb83edb5c9b Or include the following line -- and only the following line -- in a message to empyre- : confirm bc2621b4fae55cea896b7fda2afe1cb83edb5c9b Note that simply sending a `reply' to this message should work from most mail readers, since that usually leaves the Subject: line in the right form (additional "Re:" text in the Subject: is okay). If you do not wish to be subscribed from this list, please simply disregard this message. If you think you are being maliciously subscribed to the list, or have any other questions, send them to empyre- ----- Original Message ----- From: "Kanarinka" < > To: "'Eduardo Navas'" < > Sent: Wednesday, December 03, 2003 5:23 PM Subject: public alley 818, Boston, MA, USA > Hi Eduardo -- > > I was wondering if netartreview would consider publishing the call to > artists for my latest project -- "public alley 818, Boston, MA, USA". > I'm asking folks to submit instruction pieces (a la Yoko Ono/Fluxus) > to an online gallery. Then I choose which ones to enact/create/perform > (could be multiple implementations of one instruction piece too) in > public alley 818 behind my apartment in Boston. > > All the details are below -- let me know what you think -- > > thanks & hope all's well, > > kanarinka > > > > +++++++++++++++++++++++++++++++++++++++++++++++++++ > A Call to Artists and other Regular People > +++++++++++++++++++++++++++++++++++++++++++++++++++ > Please contribute to my new project: "public alley 818, Boston, MA, > USA" > - http://www.ikatun.com/k/publicalley818/ > > "public alley 818" is an urban intervention (It intervenes right into > an alley near my house). Recently I have begun exploring questions of > potentiality, play and public space through the creation of > Fluxus/Ono-like scores. In this project, I would like you to > contribute the instruction pieces and I will carry (some of) them out > in public alley 818 in Boston. > > I would like to invite you all to take a moment to dream up an > instruction piece for public alley 818 in Boston, MA, USA. > > Here's how it works: > > 1) You submit an instruction piece here: > http://www.ikatun.com/k/publicalley818/submit.php > > 2) All instruction pieces are published in the Gallery of Instructions > here: http://www.ikatun.com/k/publicalley818/submitted.php > > 3) Then I choose which pieces to enact (and how many different > versions to enact) and those go in the Gallery of Enactments: > http://www.ikatun.com/k/publicalley818/gallery.php > > Thanks in advance for your participation/collaboration! > > best wishes, > kanarinka > > ps: please report any bugs to me! > +++++++++++++++++++++++++++++++++++++++++++++++++++ > > From: Kanarinka [ ] Sent: Friday, December 05, 2003 10:16 AM To: 'Christina Ray' Subject: RE: Glowlab mailing list subscription Hi Christina -- Thanks so much for listing public alley 818 and for the contributions. I'm going to be doing a few of the instruction pieces today before Boston gets hit with the big snow storm. I'll let you know if I do any of yours! The photos in "instructions for leaving" are quite beautiful (are they originally digital - they look like prints?). I'm fascinated with yoko ono and instruction pieces right now -- also interested in the chance operations of john cage, but ono's instruction pieces somehow seem to allow for more freedom of realization. I'm actually writing a research paper on Ono, Cage and two contemporary artists: Rafael Lozano-Hemmer and Giselle Bieguelman - examines their relationship to the "everyday". In any case, keep me updated of any of your other projects - I'm always interested in talking about things like instructions, rules, operations, walking, urban, public, trash, space, event, space. Best, kanarinka -----Original Message----- From: Christina Ray [mailto: ] Sent: Thursday, December 04, 2003 3:28 AM To: Kanarinka Subject: Re: Glowlab mailing list subscription hi kanarinka, i just listed your project - looks great. http://glowlab.blogs.com/news/ i submitted an instruction, as well... i too have a project in homage to yoko ono; it's a photo series called "instructions for leaving". http://glowlab.blogs.com/photos/leaving/ and http://glowlab.blogs.com/photos/leaving_2/ i don't have the text on the site right now but basically it goes something like: read all of the runway signs upon take-off mix up all of the letters and numbers in your head compare them with the runway signs upon landing cheers- Christina On 12.03.03 09:59 AM, "Kanarinka" < > wrote: > Hi Christina -- > > Thanks so much - I like your email list manager :) > > By the way, I saw that you list projects and events on the glowlab > site -- is there any chance that glowlab might be interested in > publishing my call to artists for my latest project "public alley 818, > Boston, MA, USA"? I'm doing a series of outdoor installations in the > alley behind my house but each one is based on instruction pieces (a > la yoko ono) submitted online that I choose to enact. > > I'm enclosing the text of the call below. > > Thanks again, > Kanarinka > > --------------- > CALL TO ARTISTS AND OTHER REGULAR PEOPLE > "public alley 818, Boston, MA, USA" > --------------- > hello folks, > > Please contribute to my new project: "public alley 818, Boston, MA, > USA" - http://www.ikatun.com/k/publicalley818/ > > "public alley 818" is an urban intervention (It intervenes right into > an alley near my house). Recently I have begun exploring questions of > potentiality, play and public space through the creation of > Fluxus/Ono-like scores. In this project, I would like you to > contribute the instruction pieces and I will carry (some of) them out > in public alley 818 in Boston. > > I would like to invite you all to take a moment to dream up an > instruction piece for public alley 818 in Boston, MA, USA. > > Here's how it works: > > 1) You submit an instruction piece here: > http://www.ikatun.com/k/publicalley818/submit.php > > 2) All instruction pieces are published in the Gallery of Instructions > here: http://www.ikatun.com/k/publicalley818/submitted.php > > 3) Then I choose which pieces to enact (and how many different > versions to > enact) and those go in the Gallery of Enactments: > http://www.ikatun.com/k/publicalley818/gallery.php > > Thanks in advance for your participation/collaboration! > > best wishes, > kanarinka > > ps: please report any bugs to me! > > On 12/1/03 5:21 PM, "Christina Ray" < > wrote: > >> Hi Kanarinka, >> Thanks for your message -- we're happy to have you on the list. Our >> email list manager has an aggressive anti-spam policy, which means >> that users have to confirm their own subscriptions. I've sent you a >> separate opt-in email; just click on the link at the bottom of it and >> you're all set! Thanks, Christina >> >> >> ______________________ >> >> christina ray >> founder/director >> glowlab >> http://www.glowlab.com >> http://christinaray.com >> ______________________ >> >> >> >> >> On 12.01.03 07:25 AM, "Kanarinka" < > wrote: >> >>> Hi -- please keep/put me on the mailing list! Thanks very much! >>> kanarinka >>> >>> On 12/1/03 2:19 AM, " " < > wrote: >>> >>>> Greetings... >>>> >>>> We are currently updating the Glowlab mailing list and would like >>>> to ask you to confirm your subscription via the link at the bottom >>>> of this message. We send only our newsletters and event >>>> announcements, and will not share your email address with anyone. >>>> If you do not respond to this message within a week, you will be >>>> automatically unsubscribed. >>>> >>>> Thank you. >>>> Christina Ray >>>> Founder/Director >>>> Glowlab >>>> www.glowlab.com >>>> [Glowlab is a multimedia arts lab for experimental psychogeography] >>>> >>>> ------------------------- >>>> >>>> GLOWLAB NEWSLETTER - December 2003 >>>> >>>> CONTENTS: >>>> >>>> - Glowlab news: Grid Blog >>>> >>>> - Projects: Sal Randolph's Public Studio >>>> >>>> - Glowlounge: PDPal mapping >>>> >>>> - Neuroscape journal: Psychogeographer's Film Guide >>>> >>>> - Call for submissions/correspsondents >>>> >>>> ------------------------- >>>> >>>> To receive the Glowlab newsletter in full, CLICK ON THE LINK BELOW >>>> TO REMAIN ON THE GLOWLAB MAILING LIST: >>>> >>>> >> > http://pub23.bravenet.com/elist/add.php?usernum=1914867431&action=confirm&id=>> > >> >> 4 >>>> 429152 >>>> >>>> From: Kanarinka [ ] Sent: Friday, December 05, 2003 9:03 AM To: 'Christina McPhee' Subject: RE: Fluxus, practice, empyre Hi Christina, Thanks - I would be honored to contribute. I have recently ordered this text so hopefully it will arrive soon. I just subscribed to the empyre list so I'll be in shortly I imagine. best wishes, Kanarinka From: empyre- on behalf of empyre- Sent: Friday, December 05, 2003 10:48 AM To: Subject: Welcome to the "empyre" mailing list Welcome to the mailing list! -empyre- was developed by Melinda Rackham, and is currently facilitated with Christina McPhee, Michael Arnold Mages, Jim Andrews and Felix Sattler. -empyre- is a soft space where invited guests from the media arts field -artists, theorists, curators, producers and administrators can discuss their projects, publications, productions, and share knowledge and experience. it's specific to the issues which surround media arts, without necessarily being academically referenced, nor concerned with delineating areas of practice into interactive, or digital, or net, or rom, or pda, or web, or text, or virtual art. how it works: guests (see http://www.subtle.net/empyre/guests.html) send out an initial email statement about their work/project/publication, and then for two or so weeks will be open to comment, questions, discussion around the topics. a new guest will be invited at regular intervals of two to four weeks. please join in the discussion and perhaps post a short introduction to the list. before you post to -empyre- check the archives at http://lists.cofa.unsw.edu.au/pipermail/empyre/ -empyre- is not the place for conference announcements, or art show invitations or email text works, or technical assistance. Please send messages in plain text format, HTML Format clogs up some members mail applications. If anyone consistently disregards these guidelines, spams the list, sends attachments, or is abusive towards other members i will unsubscribe them. -empyre- is an experiment in this format, and like most mailing lists will have an organic life span generating its unique rhythms, highs ands lows, jumping between furious pace and slow silences... basically -empyre- will live or die according to your input. - you are the animating fluid of -empyre- ********************************************* To post to this list, send your email to: General information about the mailing list is at: http://lists.cofa.unsw.edu.au/mailman/listinfo/empyre If you ever want to unsubscribe or change your options (eg, switch to or from digest mode, change your password, etc.), visit your subscription page at: http://lists.cofa.unsw.edu.au/mailman/options/empyre/kanarinka%40ikatun.com You can also make such adjustments via email by sending a message to: empyre- with the word `help' in the subject or body (don't include the quotes), and you will get back a message with instructions. You must know your password to change your options (including changing the password, itself) or to unsubscribe. It is: megatron Normally, Mailman will remind you of your lists.cofa.unsw.edu.au mailing list passwords once every month, although you can disable this if you prefer. This reminder will also include instructions on how to unsubscribe or change your account options. There is also a button on your options page that will email your current password to you. -----Original Message----- From: Christina McPhee [mailto: ] Sent: Thursday, December 04, 2003 3:35 PM To: Kanarinka Subject: Fluxus, practice, empyre This looks great. Wonderful idea to revive fluxus instructions. Would you be interested in contributing to the discussion on women/art/tech on empyre? We are pleased to invite you to join us at -empyre- http://www.subtle.net/empyre in December and January for our SSNWSouthernSummer-NorthernWinter discussion series of recently published books. In December we are introducing "Women, Art, and Technology", edited by JudyMalloy which documents women's core contributions to art and technologycreation. The book includes overviews of the history and foundations of thefield by, among others, artists Sheila Pinkel and Kathy Brew; classic papersby women working in art and technology; papers written expressly for thisbook by women whose work is currently shaping and reshaping the field; and a series of critical essays that look to the future. Artist contributors include computer graphics artists Rebecca Allen and Donna Cox; video artists Dara Birnbaum, Joan Jonas, Valerie Soe, and Steina Vasulka; composers Cecile Le Prado, Pauline Oliveros, and Pamela Z;interactive artists Jennifer Hall and Blyth Hazen, Agnes Hegedus, Lynn Hershman, and Sonya Rapoport; virtual reality artists Char Davies and Brenda Laurel; net artists Anna Couey, Monika Fleischmann and Wolfgang Strauss,Nancy Paterson, and Sandy Stone; and choreographer Dawn Stoppiello. Critics include Margaret Morse, Jaishree Odin, Patric Prince, and Zoe Sofia. Judy will be joined through the month by Sonya Rapoport and Anna Couey, aswell as other key contributors to the text. subscribe to -empyre- at http://www.subtle.net/empyre On 12/3/03 2:32 PM, "Kanarinka" < > wrote: > > To view this entire thread, click here: > http://rhizome.org/thread.rhiz?thread=11373&text=21863#21863 > > + + + > > [apologies for cross postings] > > hello rhizome, > > Please contribute to my new project: "public alley 818, Boston, MA, > USA" > - http://www.ikatun.com/k/publicalley818/ > > "public alley 818" is an urban intervention (It intervenes right into > an alley near my house). Recently I have begun exploring questions of > potentiality, play and public space through the creation of > Fluxus/Ono-like scores. In this project, I would like you to > contribute the instruction pieces and I will carry (some of) them out > in public alley 818 in Boston. > > I would like to invite you all to take a moment to dream up an > instruction piece for public alley 818 in Boston, MA, USA. > > Here's how it works: > > 1) You submit an instruction piece here: > http://www.ikatun.com/k/publicalley818/submit.php > > 2) All instruction pieces are published in the Gallery of Instructions > here: http://www.ikatun.com/k/publicalley818/submitted.php > > 3) Then I choose which pieces to enact (and how many different > versions to enact) and those go in the Gallery of Enactments: > http://www.ikatun.com/k/publicalley818/gallery.php > > Thanks in advance for your participation/collaboration! > > best wishes, > kanarinka > > ps: please report any bugs to me! > > > + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + > > Rhizome.org is a 501(c)(3) nonprofit organization and an affiliate of > the New Museum of Contemporary Art. > > Rhizome Rare is supported by grants from the Rockefeller Foundation, > the Andy Warhol Foundation for the Visual Arts, and with public funds > from the New York State Council on the Arts, a state agency. > > + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + + > > Rhizome Rare is filtered by Rhizome SuperUsers, a dedicated group of > volunteer editors. To learn more about becoming a Rhizome SuperUser, > please email > > To unsubscribe from this list, visit http://rhizome.org/subscribe . > > Subscribers to Rhizome Rare are subject to the terms set out in the > Member Agreement available online at http://rhizome.org/info/29.php. > From: Kanarinka [ ] Sent: Wednesday, December 03, 2003 8:18 PM To: 'Jess Loseby' Subject: FW: Call to Artists and other Regular People Hi Jess -- How are things going? How's the artist-in-residency?? I'm hoping that you'll consider submitting an instruction piece to my latest project (and pass around the call to artists to anyone you know who might be interested) -- I'm asking for instruction works (a la fluxus & yoko ono) for projects i can do in the alley behind my house to be submitted to a gallery online http://www.ikatun.com/k/publicalley818/submit.php. Then I will choose some to enact/perform/make in public alley 818. All the details are in the below message... Thanks & hope things with you are splendid, Best, kanarinka -----Original Message----- From: owner- [mailto:owner- ] On Behalf Of Kanarinka Sent: Wednesday, December 03, 2003 11:28 AM To: Subject: RHIZOME_RAW: Call to Artists and other Regular People [apologies for cross postings] hello rhizome, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! + -> post: -> questions: -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz -> give: http://rhizome.org/support -> visit: on Fridays the Rhizome.org web site is open to non-members + Subscribers to Rhizome are subject to the terms set out in the Membership Agreement available online at http://rhizome.org/info/29.php From: Kanarinka [ ] Sent: Wednesday, December 03, 2003 8:11 PM To: 'Ken Friedman' Subject: a fluxlike project - public alley 818 Hello Ken - I read your paper on intermedia vs. multimedia a while back and I remembered you today when I was launching my newest project online because of its fluxus leanings. The project is called "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ - and is based on people submitting instruction pieces to me online which I then enact/perform/create/do in the alley behind my apartment in Boston. I would be honored if you would submit an instruction piece to the project (see details below). Also, please feel free to pass this along to anyone you think might be interested. Thanks so much, kanarinka +++++++++++++++++++++++++++++++++++++++++++++++++++ A Call to Artists and other Regular People +++++++++++++++++++++++++++++++++++++++++++++++++++ Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! +++++++++++++++++++++++++++++++++++++++++++++++++++ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ kanarinka (Catherine D’Ignazio) Co-Founder, iKatun (501c3) www.ikatun.com ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ MessageFrom: Kanarinka [ ] Sent: Wednesday, December 03, 2003 7:54 PM To: 'Perez Flores, Victor' Subject: RE: Great!! HI Victor -- Oh no! When did they get divorced? I had no idea. How did that happen? Do they still live in Solsona? What about the kids? That is really too bad, I always thought they were such a great couple together. Thanks for your offer - I might just take you up on it! I'll wait to hear if they respond to my letter or not and see what they say. By the way, if you have a minute, contribute to my internet art project -- http://www.ikatun.com/k/publicalley818/about.php?content=about Talk to you soon, Catie -----Original Message----- From: Perez Flores, Victor [mailto: ] Sent: Wednesday, December 03, 2003 6:54 AM To: Subject: Great!! That's really cool, what you said I mean. Did you contact the Family Bernadór before? Josep and Enriqueta are divorsed, so that could be a problem in order to host Laura, but it just mean that if they couldn't, of course she'll be wellcome by us, that is tosay: my mother and me; my parents are also divorced, but it was a longer time ago, so that'd be oK! So Catie, one way or another, we'll see each other next sumer! All the best: Víctor, P.D. I'm really sorryabout my english, I hope you'll be able to understnad it, anyway. -- [ ] -- ----------------------------------------------------------------------- ¡Felicita las fiestas a tu seres queridos y evita accidentes de trafico! Envía las Postales del Instituto Mapfre de Seguridad Vial. Click aquí. http://www.tudecides.info?ID=wanadoo From: Kanarinka [ ] Sent: Tuesday, December 02, 2003 12:14 PM To: 'Raymond, David' Subject: RE: Dear Ta i'm going to duct tape some posts together in the alley - i will be back soon love, ta -----Original Message----- From: Raymond, David [mailto: ] Sent: Tuesday, December 02, 2003 12:00 PM To: Kanarinka (E-mail) Subject: Dear Ta Though I am still kinda upset with you, I don't feel like fightin' with you anymore. So maybe we should be friends again. What do you think? From: David Raff [ ] Sent: Thursday, December 04, 2003 10:32 AM To: 'Kanarinka' Subject: RE: Call to Artists and other Regular People BTW: how do you feel about a piece of art focused on SPAM. I hate SPAM but there are some very creatively annoying aspects to it. -----Original Message----- From: Kanarinka [mailto: ] Sent: Thursday, December 04, 2003 6:27 AM To: 'David Raff' Subject: RE: Call to Artists and other Regular People Hey bork, we had a good thanksgiving! we went to dave's parents for the thursday and then proceeded to have a second thanksgiving on friday at my parent's place in NC. yikes. then my mom made us eat like little hoggies for 3 days! it was terrible but great. we did a lot of running and rollerblading down in NC to offset the food intake. now we're back in boston and depressed because it's 2 degrees outside. it's too cold to even run for me right now. i think i need some better long underwear, gloves and winter gear. or perhaps i'm just looking for an excuse to buy stuff :) i'm psyched you are thinking of moving back out here! where would you go? i vote boston. if you come back here I will help you toilet paper your old boss' house. heh heh. any love interests??? hasta pronto, catarina -----Original Message----- From: David Raff [mailto: ] Sent: Wednesday, December 03, 2003 11:45 AM To: 'Kanarinka' Subject: RE: Call to Artists and other Regular People I am doing very well. My thanksgiving was great. I went home and visited the famdamily for five days. I got to hang out with my niece and nephew a lot and seeing my parents was fantastic. I don't realize how much I miss them until I go home. I ran in a 10K on Thanksgiving (my sister was supposed to run too but she backed out at the last minute) which was really fun and I set a personal best. How was your thanksgiving? Didn't you and the bork go to N.C.? I am really hoping to come and visit soon. You should also consider coming to CO for a visit. "retardedly retarded", I like that. I heard you were working a 40 hour week in like a day and a half so that you had time to do art and stuff. Is that still the plan? I don't have much of a story. Been working as much as necessary (nothing more) and been running a bunch and got a few ski days in so far too. I am looking forward to a very big ski year. Come next summer I am seriously considering moving on. I am really beginning to miss the family aspect of the east coast so we'll see. Please tell megatron I say hello too. Best Regards, Senior Borkalot -----Original Message----- From: Kanarinka [mailto: ] Sent: Wednesday, December 03, 2003 9:22 AM To: 'David Raff' Subject: RE: Call to Artists and other Regular People BORK! hey - how are you? how was your thanksgiving? where were you? when are you coming to visit? life is retardedly retarded right now. if i thought i was busy a few months ago that's NOTHING compared to now. i'm trying to keep my head above water and maintain , etc. what's your story these days?? megatron says hi. i miss you too!!! sincerely, la buquette -----Original Message----- From: David Raff [mailto: ] Sent: Wednesday, December 03, 2003 8:42 AM To: Subject: RE: Call to Artists and other Regular People Hello kanarinka.... I miss you. -----Original Message----- From: iKatun [mailto: ] Sent: Tuesday, December 02, 2003 11:33 PM To: Subject: Call to Artists and other Regular People hello folks, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! From: David Rosen [ ] Sent: Wednesday, December 03, 2003 1:41 AM To: Subject: Re: Call to Artists and other Regular People hello Kanarinka, how are you. I am doing a short fashion/art performance at this years "Substance" thingy. (Middle East, Dec 21 -- I believe). I am writing something (10 minutes) and am looking for one or two body artists. Is this something you do? Take a look at our site. Either way-- give me a call sometime. It is an important time for collaboration. Also working on some web-related projects that might interest you. david www.reason8.net Wearable Mass Disruption ----- Original Message ----- From: "iKatun" < > To: < > Sent: Wednesday, December 03, 2003 1:29 AM Subject: Call to Artists and other Regular People > hello folks, > > Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ > > "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. > > I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. > > Here's how it works: > > 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php > > 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php > > 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php > > Thanks in advance for your participation/collaboration! > > best wishes, > kanarinka > > ps: please report any bugs to me! From: Chris Csikszentmihalyi [ ] Sent: Wednesday, December 03, 2003 7:25 AM To: Subject: Re: Call to Artists and other Regular People Hey, Saw you guys in a video for "8 bit ant farm" when I was juroring the Vida competition. It was really odd -- you seemed very skeptical of the piece, but they sent the video anyway as their entry. C. -- Christopher P. Csikszentmihályi Director, Computing Culture Group E15-020A | 20 Ames Street Cambridge | MA | USA | 02139-5275 Assistant Professor of Media Arts and Sciences MIT Media Lab www.media.mit.edu/~csik From: Sharon Matt Atkins [ ] Sent: Wednesday, December 03, 2003 10:59 AM To: 'Kanarinka' Subject: RE: Call to Artists and other Regular People Hi Catherine! I've already submitted an instruction! What a fun project. I also forwarded your message to Midori - I thought she'd like to see it. Maybe I'll send it to Larry too! Sharon -----Original Message----- From: Kanarinka [mailto: ] Sent: Wednesday, December 03, 2003 10:59 AM To: ; 'Hiroko Kikuchi'; 'Sharon Matt Atkins'; Subject: FW: Call to Artists and other Regular People Hi Chuck, Midori, Hiroko and Sharon -- Just wanted to pass this along -- I would be honored for you all to participate in my new flux-like project "public alley 818, Boston, MA, USA". I have been so inspired from the fluxus show that I'm asking people to contribute instruction pieces that i can realize in public alley 818 behind my house in Boston. (I'm also writing part of my research paper on Yoko Ono) Please submit a piece and forward this around to anyone you think might be interested in submitting an instruction piece! Thanks so much!! Catherine -----Original Message----- From: iKatun [mailto: ] Sent: Wednesday, December 03, 2003 1:32 AM To: Subject: Call to Artists and other Regular People hello folks, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! From: Sharon Matt Atkins [ ] Sent: Wednesday, December 03, 2003 11:07 AM To: 'Kanarinka' Cc: Midori Yoshimoto Subject: RE: Call to Artists and other Regular People I just sent him an email, so we'll see!!! Maybe Midori can send it to some of her other Fluxus contacts. Sharon -----Original Message----- From: Kanarinka [mailto: ] Sent: Wednesday, December 03, 2003 11:04 AM To: 'Sharon Matt Atkins' Subject: RE: Call to Artists and other Regular People Yes please do! I'd love to have him submit and have other fluxus aficionados from around the world submit as well! Thanks!! Catherine -----Original Message----- From: Sharon Matt Atkins [mailto: ] Sent: Wednesday, December 03, 2003 10:59 AM To: 'Kanarinka' Subject: RE: Call to Artists and other Regular People Hi Catherine! I've already submitted an instruction! What a fun project. I also forwarded your message to Midori - I thought she'd like to see it. Maybe I'll send it to Larry too! Sharon -----Original Message----- From: Kanarinka [mailto: ] Sent: Wednesday, December 03, 2003 10:59 AM To: ; 'Hiroko Kikuchi'; 'Sharon Matt Atkins'; Subject: FW: Call to Artists and other Regular People Hi Chuck, Midori, Hiroko and Sharon -- Just wanted to pass this along -- I would be honored for you all to participate in my new flux-like project "public alley 818, Boston, MA, USA". I have been so inspired from the fluxus show that I'm asking people to contribute instruction pieces that i can realize in public alley 818 behind my house in Boston. (I'm also writing part of my research paper on Yoko Ono) Please submit a piece and forward this around to anyone you think might be interested in submitting an instruction piece! Thanks so much!! Catherine -----Original Message----- From: iKatun [mailto: ] Sent: Wednesday, December 03, 2003 1:32 AM To: Subject: Call to Artists and other Regular People hello folks, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! From: Joshua Fried [ ] Sent: Wednesday, December 03, 2003 1:00 PM To: Subject: Re: Call to Artists and other Regular People great to hear from you kanarinka! i'll brainstorm. peace to you. joshua On Wednesday, December 3, 2003, at 01:31 AM, iKatun wrote: > hello folks, > > Please contribute to my new project: "public alley 818, Boston, MA, > USA" - http://www.ikatun.com/k/publicalley818/ > > "public alley 818" is an urban intervention (It intervenes right into > an alley near my house). Recently I have begun exploring questions of > potentiality, play and public space through the creation of > Fluxus/Ono-like scores. In this project, I would like you to > contribute the instruction pieces and I will carry (some of) them out > in public alley 818 in Boston. > > I would like to invite you all to take a moment to dream up an > instruction piece for public alley 818 in Boston, MA, USA. > > Here's how it works: > > 1) You submit an instruction piece here: > http://www.ikatun.com/k/publicalley818/submit.php > > 2) All instruction pieces are published in the Gallery of Instructions > here: http://www.ikatun.com/k/publicalley818/submitted.php > > 3) Then I choose which pieces to enact (and how many different > versions to enact) and those go in the Gallery of Enactments: > http://www.ikatun.com/k/publicalley818/gallery.php > > Thanks in advance for your participation/collaboration! > > best wishes, > kanarinka > > ps: please report any bugs to me! From: psygeoconflux- on behalf of psygeoconflux- Sent: Wednesday, December 03, 2003 1:29 PM To: Subject: Psygeoconflux -- confirmation of subscription -- request 813480 Psygeoconflux -- confirmation of subscription -- request 813480 We have received a request from 68.29.75.251 for subscription of your email address, < >, to the mailing list. To confirm the request, please send a message to psygeoconflux- , and either: - maintain the subject line as is (the reply's additional "Re:" is ok), - or include the following line - and only the following line - in the message body: confirm 813480 (Simply sending a 'reply' to this message should work from most email interfaces, since that usually leaves the subject line in the right form.) If you do not wish to subscribe to this list, please simply disregard this message. Send questions to psygeoconflux- From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:24 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:23:50 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to relay-0.ziplink.net.: >>> RCPT To:< > <<< 550 5.7.1 < >... Access denied 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:24 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:23:45 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to fort-point-station.mit.edu.: >>> RCPT To:< > <<< 550 5.1.1 < >... User unknown 550 < >... User unknown From: System Administrator [ ] Sent: Wednesday, December 03, 2003 1:24 AM To: Subject: Undeliverable: Call to Artists and other Regular People Your message To: Subject: Call to Artists and other Regular People Sent: Wed, 3 Dec 2003 01:33:43 -0500 did not reach the following recipient(s): on Wed, 3 Dec 2003 01:22:26 -0500 The recipient name is not recognized The MTS-ID of the original message is: c=us;a= ;p=lsc;l=LSIMS0312030622W4HYFARZ MSEXCH:IMS:LSC:LSRESOURCE:LSIMS 0 (000C05A6) Unknown Recipient From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:24 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:23:24 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mxb.earthlink.net.: >>> RCPT To:< > <<< 550 unknown 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:23 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:22:40 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mx2.mta.truthmail.com.: >>> RCPT To:< > <<< 550 unknown user 550 < >... User unknown From: Sent: Wednesday, December 03, 2003 1:23 AM To: Subject: Mail status report Your message could not be delivered to the following address: < >: Recipient exceeded email quota From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:23 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:23:13 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to ns0.linst.ac.uk.: >>> RCPT To:< > <<< 550 Unknown local part t.nadim in < > 550 < >... User unknown From: Mail Delivery System [Mailer- ] Sent: Wednesday, December 03, 2003 1:23 AM To: Subject: Mail delivery failed: returning message to sender This message was created automatically by mail delivery software (Exim). A message that you sent could not be delivered to one or more of its recipients. This is a permanent error. The following address(es) failed: SMTP error from remote mailer after RCPT TO:< >: host jxnemail01.skytel.com [204.153.81.130]: 550 mailbox unavailable. ------ This is a copy of the message, including all the headers. ------ Return-path: < > Received: from penguin-120.pocket ([10.4.120.134] helo=penguin) by waxbill.mail.pas.earthlink.net with smtp (Exim 3.36 #1) id 1ARQPi-0006B5-00 for ; Tue, 02 Dec 2003 22:23:06 -0800 X-MindSpring-Loop: Received: from khaki.propagation.net ([63.249.175.1]) by penguin (EarthLink SMTP Server) with ESMTP id 1arqpGyV3NZFl40 for < >; Tue, 2 Dec 2003 22:23:04 -0800 (PST) Received: from megatron (pool-68-163-110-99.bos.east.verizon.net [68.163.110.99]) by khaki.propagation.net (8.9.3p2/8.8.5) with ESMTP id AAA15295 for < >; Wed, 3 Dec 2003 00:23:00 -0600 Message-Id: < > From: "iKatun" < > Subject: Call to Artists and other Regular People To: Content-Type: text/plain Reply-To: Date: Wed, 3 Dec 2003 01:33:12 -0500 X-Priority: 3 X-Library: Indy 9.00.10 hello folks, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:23 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:22:59 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mail.ureach.com.: >>> RCPT To:< > <<< 550 5.2.2 < >... Subscriber is over disk quota 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:23 AM To: Subject: Returned mail: Service unavailable The original message was received at Wed, 3 Dec 2003 00:21:51 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mx1.mail.yahoo.com.: <<< 421 mta437.mail.yahoo.com Resources temporarily unavailable. Please try again later. ... while talking to mx2.mail.yahoo.com.: >>> DATA <<< 554 delivery error: dd Sorry your message to cannot be delivered. This account has been disabled or discontinued [#102]. - mta108.mail.sc5.yahoo.com 554 < >... Service unavailable From: Mail Delivery System [MAILER- ] Sent: Wednesday, December 03, 2003 1:23 AM To: Subject: Undelivered Mail Returned to Sender This is the Postfix program at host boggle.pobox.com. The message below did not reach its final destination. What happened exactly? Our mail server boggle.pobox.com accepted your message and tried to forward it to Unfortunately, we had a problem delivering the message to that address. The excerpt below shows why your message was not delivered. If you don't know what this error means, or why we are trying to deliver the message you sent to a Pobox.com address to a totally different destination, please go to http://pobox.com/bounce-pobox.html If you need further assistance regarding this message, please contact your ISP, or Always include the full text of this problem report. --------------- Reason For Delivery Failure --------------- For further assistance, please send mail to < > If you do so, please include this problem report. You can delete your own text from the message returned below. The Postfix program < >: host smtp.theworld.com[192.74.137.101] said: 550 5.1.1 < >... User unknown (in reply to RCPT TO command) From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:22:22 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mx1.cybertours.com.: >>> RCPT To:< > <<< 553 5.3.0 < >... User mortmather mailbox full 550 < >... User unknown From: Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Delivery Status Notification (Failure) This is an automatically generated Delivery Status Notification. Delivery to the following recipients failed. From: Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Re: Call to Artists and other Regular People At this time, I am unable to read and respond to your e-mail. I will respond as soon as possible. From: Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Delivery Status Notification (Failure) This is an automatically generated Delivery Status Notification. Delivery to the following recipients failed. From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Returned mail: Host unknown (Name server: suzannekammlott.com: host not found) The original message was received at Wed, 3 Dec 2003 00:22:15 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- 550 < >... Host unknown (Name server: suzannekammlott.com: host not found) From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:21:59 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to gateway.attbi.com.: >>> RCPT To:< > <<< 550 [SUSPEND] Mailbox currently suspended - Please contact correspondent directly 550 < >... User unknown From: Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Delivery Status Notification (Failure) This is an automatically generated Delivery Status Notification. Delivery to the following recipients failed. klotz_ From: System Administrator [ ] Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Undeliverable: Call to Artists and other Regular People Your message To: Subject: Call to Artists and other Regular People Sent: Wed, 3 Dec 2003 01:31:53 -0500 did not reach the following recipient(s): on Wed, 3 Dec 2003 01:21:43 -0500 The recipient name is not recognized The MTS-ID of the original message is: c=us;a= ;p=mcr;l=MCR010312030621YFATV72C MSEXCH:IMS:MCR:MCR01:MCR01 0 (000C05A6) Unknown Recipient From: Mail Delivery System [Mailer- ] Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Mail delivery failed: returning message to sender This message was created automatically by mail delivery software (Exim). A message that you sent could not be delivered to one or more of its recipients. This is a permanent error. The following address(es) failed: SMTP error from remote mailer after end of data: host mx00-dom.earthlink.net [207.217.120.51]: 554 forwarding loop, mail is looping ------ This is a copy of the message, including all the headers. ------ Return-path: < > Received: from vulture-120.pocket ([10.4.120.70] helo=vulture) by blackbird.mail.pas.earthlink.net with smtp (Exim 3.36 #1) id 1ARQOK-0001KN-00 for ; Tue, 02 Dec 2003 22:21:40 -0800 X-MindSpring-Loop: Received: from blackbird.mail.pas.earthlink.net ([207.217.121.90]) by vulture (EarthLink SMTP Server) with SMTP id 1arqoe5rO3NZFl50 for < >; Tue, 2 Dec 2003 22:21:34 -0800 (PST) Received: from egret-120.pocket ([10.4.120.211] helo=egret) by blackbird.mail.pas.earthlink.net with smtp (Exim 3.36 #1) id 1ARQO6-00010I-00 for ; Tue, 02 Dec 2003 22:21:26 -0800 X-MindSpring-Loop: Received: from khaki.propagation.net ([63.249.175.1]) by egret (EarthLink Mail Service) with ESMTP id 1arqo51lD3NZFmj0 for < >; Tue, 2 Dec 2003 22:21:25 -0800 (PST) Received: from megatron (pool-68-163-110-99.bos.east.verizon.net [68.163.110.99]) by khaki.propagation.net (8.9.3p2/8.8.5) with ESMTP id AAA14866 for < >; Wed, 3 Dec 2003 00:21:23 -0600 Message-Id: < > From: "iKatun" < > Subject: Call to Artists and other Regular People To: Content-Type: text/plain Reply-To: Date: Wed, 3 Dec 2003 01:31:36 -0500 X-Priority: 3 X-Library: Indy 9.00.10 hello folks, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:22 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:21:29 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mx1.tripod.com.: >>> RCPT To:< > <<< 550 5.1.1 < >... User unknown 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:21 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:21:23 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to relay.verizon.net.: >>> RCPT To:< > <<< 550 Invalid recipient: < > 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:21 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 01:21:00 -0500 (EST) from mxsmta01.ow.dellhost.com [209.235.30.103] *** ATTENTION *** Your e-mail is being returned to you because there was a problem with its delivery. The address which was undeliverable is listed in the section labeled: "----- The following addresses had permanent fatal errors -----". The reason your mail is being returned to you is listed in the section labeled: "----- Transcript of Session Follows -----". The line beginning with "<<<" describes the specific reason your e-mail could not be delivered. The next line contains a second error message which is a general translation for other e-mail servers. Please direct further questions regarding this message to your e-mail administrator. --AOL Postmaster ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to air-xm04.mail.aol.com.: >>> RCPT To:< > <<< 550 MAILBOX NOT FOUND 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:21 AM To: Subject: Returned mail: Service unavailable The original message was received at Wed, 3 Dec 2003 00:20:52 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mx1.mail.yahoo.com.: >>> DATA <<< 554 delivery error: dd Sorry your message to cannot be delivered. This account has been disabled or discontinued [#102]. - mta150.mail.sc5.yahoo.com 554 < >... Service unavailable From: Sent: Wednesday, December 03, 2003 1:19 AM To: Subject: Undeliverable: Call to Artists and other Regular People Your message To: Christiane Paul, Curatorial Subject: Call to Artists and other Regular People Sent: Wed, 3 Dec 2003 01:29:11 -0500 did not reach the following recipient(s): Christiane Paul, Curatorial on Wed, 3 Dec 2003 01:19:29 -0500 The recipient was unavailable to take delivery of the message MSEXCH:MSExchangeIS:WHITNEY(u)NY:EXCH(u)MADISON From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:19 AM To: Subject: Returned mail: Host unknown (Name server: ksgov.harvard.edu: host not found) The original message was received at Wed, 3 Dec 2003 00:19:20 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- ----- Transcript of session follows ----- 550 ... Host unknown (Name server: ksgov.harvard.edu: host not found) From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:19 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:18:52 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- ----- Transcript of session follows ----- ... while talking to netop3.harvard.edu.: >>> RCPT To: <<< 550 : User unknown in local recipient table 550 ... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:18 AM To: Subject: Returned mail: Host unknown (Name server: id.it: host not found) The original message was received at Wed, 3 Dec 2003 00:18:15 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- ----- Transcript of session follows ----- 550 ... Host unknown (Name server: id.it: host not found) From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:18 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:18:15 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mx4.hotmail.com.: >>> RCPT To:< > <<< 550 Requested action not taken: mailbox unavailable 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:18 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:17:54 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mail1.wss.vip.scd.yahoo.com.: >>> RCPT To:< > <<< 550 RCPT TO:< > User unknown 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:18 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:17:50 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to relay.verizon.net.: >>> RCPT To:< > <<< 550 Invalid recipient: < > 550 < >... User unknown From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 1:18 AM To: Subject: Returned mail: User unknown The original message was received at Wed, 3 Dec 2003 00:17:23 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had permanent fatal errors ----- < > ----- Transcript of session follows ----- ... while talking to mail1c.webmessenger.it.: >>> RCPT To:< > <<< 550 RCPT TO:< > User unknown 550 < >... User unknown From: Sent: Wednesday, December 03, 2003 1:25 AM To: Subject: Undeliverable Mail Bad address -- Error -- No such local user Start of returned message Received: from bgm2.globe.com by node1.globe.com with ESMTP for ; Wed, 3 Dec 2003 1:24:37 -0500 Received: from globe1.globe.com ([192.168.22.10]) by bgm2.globe.com (Lotus Domino Release 6.0.2CF2) with ESMTP id 2003120301252021-63715 ; Wed, 3 Dec 2003 01:25:20 -0500 Received: from khaki.propagation.net ([192.168.22.1]) by globe1.globe.com (8.12.9/8.12.9) with ESMTP id hB36M1AH025404 for < >; Wed, 3 Dec 2003 01:22:02 -0500 (EST) Received: from megatron (pool-68-163-110-99.bos.east.verizon.net [68.163.110.99]) by khaki.propagation.net (8.9.3p2/8.8.5) with ESMTP id AAA15010 for < >; Wed, 3 Dec 2003 00:21:54 -0600 Message-Id: < > From: "iKatun" < > Subject: Call to Artists and other Regular People To: Reply-To: Date: Wed, 3 Dec 2003 01:32:06 -0500 X-Priority: 3 (Normal) X-Library: Indy 9.00.10 X-MIMETrack: Itemize by SMTP Server on BGM2/GLOBE(Release 6.0.2CF2|July 23, 2003) at 12/03/2003 01:25:20 AM, Serialize by Router on BGM2/GLOBE(Release 6.0.2CF2|July 23, 2003) at 12/03/2003 01:25:21 AM, Serialize complete at 12/03/2003 01:25:21 AM Content-Type: text/plain hello folks, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! End of returned message From: Sent: Wednesday, December 03, 2003 1:30 AM To: Subject: Returned Mail: Error During Delivery ------ Here is your List of Failed Recipients ------ < > Transaction failed. [SMTP Error Code 554] -------- Here Is Your Returned Mail -------- Received: FROM frank.montserrat.edu BY luna.montserrat.edu ; Wed Dec 03 01:21:25 2003 -0500 Received: from localhost (localhost.localdomain [127.0.0.1]) by frank.montserrat.edu (Postfix) with ESMTP id 708C5D2C46 for < >; Wed, 3 Dec 2003 01:34:44 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 04048-04 for < >; Wed, 3 Dec 2003 01:34:44 -0500 (EST) Received: from luna.montserrat.edu (unknown [192.168.5.38]) by frank.montserrat.edu (Postfix) with SMTP id 3F142D2C3A for < >; Wed, 3 Dec 2003 01:34:44 -0500 (EST) Received: FROM frank.montserrat.edu BY luna.montserrat.edu ; Wed Dec 03 01:21:25 2003 -0500 Received: from localhost (localhost.localdomain [127.0.0.1]) by frank.montserrat.edu (Postfix) with ESMTP id E3A92D2C46 for < >; Wed, 3 Dec 2003 01:34:43 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 03901-10 for < >; Wed, 3 Dec 2003 01:34:43 -0500 (EST) Received: from luna.montserrat.edu (unknown [192.168.5.38]) by frank.montserrat.edu (Postfix) with SMTP id B37B7D2C3A for < >; Wed, 3 Dec 2003 01:34:43 -0500 (EST) Received: FROM frank.montserrat.edu BY luna.montserrat.edu ; Wed Dec 03 01:21:24 2003 -0500 Received: from localhost (localhost.localdomain [127.0.0.1]) by frank.montserrat.edu (Postfix) with ESMTP id 648F3D2C46 for < >; Wed, 3 Dec 2003 01:34:43 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 04048-03 for < >; Wed, 3 Dec 2003 01:34:43 -0500 (EST) Received: from luna.montserrat.edu (unknown [192.168.5.38]) by frank.montserrat.edu (Postfix) with SMTP id 34D81D2C3A for < >; Wed, 3 Dec 2003 01:34:43 -0500 (EST) Received: FROM frank.montserrat.edu BY luna.montserrat.edu ; Wed Dec 03 01:21:24 2003 -0500 Received: from localhost (localhost.localdomain [127.0.0.1]) by frank.montserrat.edu (Postfix) with ESMTP id D7A56D2C46 for < >; Wed, 3 Dec 2003 01:34:42 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 03901-09 for < >; Wed, 3 Dec 2003 01:34:42 -0500 (EST) Received: from luna.montserrat.edu (unknown [192.168.5.38]) by frank.montserrat.edu (Postfix) with SMTP id A9843D2C3A for < >; Wed, 3 Dec 2003 01:34:42 -0500 (EST) Received: FROM frank.montserrat.edu BY luna.montserrat.edu ; Wed Dec 03 01:21:23 2003 -0500 Received: from localhost (localhost.localdomain [127.0.0.1]) by frank.montserrat.edu (Postfix) with ESMTP id 595D4D2C46 for < >; Wed, 3 Dec 2003 01:34:42 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 04048-02 for < >; Wed, 3 Dec 2003 01:34:42 -0500 (EST) Received: from luna.montserrat.edu (unknown [192.168.5.38]) by frank.montserrat.edu (Postfix) with SMTP id 2AEEAD2C3A for < >; Wed, 3 Dec 2003 01:34:42 -0500 (EST) Received: FROM frank.montserrat.edu BY luna.montserrat.edu ; Wed Dec 03 01:21:23 2003 -0500 Received: from localhost (localhost.localdomain [127.0.0.1]) by frank.montserrat.edu (Postfix) with ESMTP id D14B8D2C46 for < >; Wed, 3 Dec 2003 01:34:41 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 03901-08 for < >; Wed, 3 Dec 2003 01:34:41 -0500 (EST) Received: from luna.montserrat.edu (unknown [192.168.5.38]) by frank.montserrat.edu (Postfix) with SMTP id A0958D2C3A for < >; Wed, 3 Dec 2003 01:34:41 -0500 (EST) Received: FROM frank.montserrat.edu BY luna.montserrat.edu ; Wed Dec 03 01:21:22 2003 -0500 Received: from localhost (localhost.localdomain [127.0.0.1]) by frank.montserrat.edu (Postfix) with ESMTP id ECE97D2C46 for < >; Wed, 3 Dec 2003 01:34:40 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 04048-01 for < >; Wed, 3 Dec 2003 01:34:09 -0500 (EST) Received: from luna.montserrat.edu (unknown [192.168.5.38]) by frank.montserrat.edu (Postfix) with SMTP id 14CF9D2C3A for < >; 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Wed, 3 Dec 2003 01:34:06 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 03813-09 for < >; Wed, 3 Dec 2003 01:33:35 -0500 (EST) Received: from luna.montserrat.edu (unknown [192.168.5.38]) by frank.montserrat.edu (Postfix) with SMTP id 70F29D2C3A for < >; Wed, 3 Dec 2003 01:33:35 -0500 (EST) Received: FROM frank.montserrat.edu BY luna.montserrat.edu ; Wed Dec 03 01:20:16 2003 -0500 Received: from localhost (localhost.localdomain [127.0.0.1]) by frank.montserrat.edu (Postfix) with ESMTP id EE33DD2C45 for < >; Wed, 3 Dec 2003 01:33:34 -0500 (EST) Received: from frank.montserrat.edu ([127.0.0.1]) by localhost (frank [127.0.0.1]) (amavisd-new, port 10024) with ESMTP id 03901-05 for < >; Wed, 3 Dec 2003 01:33:03 -0500 (EST) Received: from khaki.propagation.net (khaki.propagation.net [63.249.175.1]) by frank.montserrat.edu (Postfix) with SMTP id 8EAEBD2C3A for < >; Wed, 3 Dec 2003 01:33:02 -0500 (EST) Received: from megatron (pool-68-163-110-99.bos.east.verizon.net [68.163.110.99]) by khaki.propagation.net (8.9.3p2/8.8.5) with ESMTP id AAA14048 for < >; Wed, 3 Dec 2003 00:18:28 -0600 Message-Id: < > From: "iKatun" < > Subject: Call to Artists and other Regular People To: Content-Type: text/plain Reply-To: Date: Wed, 3 Dec 2003 01:28:40 -0500 X-Priority: 3 X-Library: Indy 9.00.10 X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Virus-Scanned: by amavisd-new at montserrat.edu X-Spam-Status: No, hits=3.7 tagged_above=0.0 required=5.5 tests=MSG_ID_ADDED_BY_MTA_3, PRIORITY_NO_NAME, RCVD_IN_NJABL, X_LIBRARY X-Spam-Level: **** hello folks, Please contribute to my new project: "public alley 818, Boston, MA, USA" - http://www.ikatun.com/k/publicalley818/ "public alley 818" is an urban intervention (It intervenes right into an alley near my house). Recently I have begun exploring questions of potentiality, play and public space through the creation of Fluxus/Ono-like scores. In this project, I would like you to contribute the instruction pieces and I will carry (some of) them out in public alley 818 in Boston. I would like to invite you all to take a moment to dream up an instruction piece for public alley 818 in Boston, MA, USA. Here's how it works: 1) You submit an instruction piece here: http://www.ikatun.com/k/publicalley818/submit.php 2) All instruction pieces are published in the Gallery of Instructions here: http://www.ikatun.com/k/publicalley818/submitted.php 3) Then I choose which pieces to enact (and how many different versions to enact) and those go in the Gallery of Enactments: http://www.ikatun.com/k/publicalley818/gallery.php Thanks in advance for your participation/collaboration! best wishes, kanarinka ps: please report any bugs to me! From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 5:20 AM To: Subject: Warning: could not send message for past 4 hours ********************************************** ** THIS IS A WARNING MESSAGE ONLY ** ** YOU DO NOT NEED TO RESEND YOUR MESSAGE ** ********************************************** The original message was received at Wed, 3 Dec 2003 00:19:23 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had transient non-fatal errors ----- < > ----- Transcript of session follows ----- 451 < >... veraqua.com: Name server timeout 451 < >... veraqua.com: Name server timeout Warning: message still undelivered after 4 hours Will keep trying until message is 5 days old From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 5:20 AM To: Subject: Warning: could not send message for past 4 hours ********************************************** ** THIS IS A WARNING MESSAGE ONLY ** ** YOU DO NOT NEED TO RESEND YOUR MESSAGE ** ********************************************** The original message was received at Wed, 3 Dec 2003 00:19:11 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had transient non-fatal errors ----- < > ----- Transcript of session follows ----- < >... Deferred: Connection refused by mail.freethemedia.org. Warning: message still undelivered after 4 hours Will keep trying until message is 5 days old From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 5:53 AM To: Subject: Warning: could not send message for past 4 hours ********************************************** ** THIS IS A WARNING MESSAGE ONLY ** ** YOU DO NOT NEED TO RESEND YOUR MESSAGE ** ********************************************** The original message was received at Wed, 3 Dec 2003 00:17:51 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had transient non-fatal errors ----- < > ----- Transcript of session follows ----- < >... Deferred: Connection timed out with mail.pyralis.com. Warning: message still undelivered after 4 hours Will keep trying until message is 5 days old From: Mail Delivery Subsystem [MAILER- ] Sent: Wednesday, December 03, 2003 6:00 AM To: Subject: Warning: could not send message for past 4 hours ********************************************** ** THIS IS A WARNING MESSAGE ONLY ** ** YOU DO NOT NEED TO RESEND YOUR MESSAGE ** ********************************************** The original message was received at Wed, 3 Dec 2003 00:21:05 -0600 from pool-68-163-110-99.bos.east.verizon.net [68.163.110.99] ----- The following addresses had transient non-fatal errors ----- < > ----- Transcript of session follows ----- 451 < >... reply: read error from artpostonline.com. < >... Deferred: Connection reset by artpostonline.com. Warning: message still undelivered after 4 hours Will keep trying until message is 5 days old


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